If you are interested in Purchasing my fine art prints, head over to my website.
Last weekend turned out to be really good weather for photography. l drove out to Port Campbell on the Great Ocean Road, previously access to Gibsons Beach was closed off due to falling debris (eroding cliffs) and l was keen to get back there and shoot some seascapes and get my feet wet. As well as a visit to Gibsons Beach (sunset) l also decided to do a sunrise shoot at Loch And Gorge and The Razorback and sunrise turned out to be really nice indeed, lovely colour and cloud formation.
I have attached a couple of images from the weekends shoot.
The majority of the images you see within the galleries on my website are available for purchase. They are amazingly beautiful as prints, ready to frame and hang in your home, office or studio.
When you purchase an image from Darren, you can rest assured that he has handled the whole creative process from camera to print. He captures the image, then follows through with post processing and the final print, using high quality printers and the finest art papers. Darren is adamant in maintaining control of the whole process, allowing him to produce the highest quality image, which he is proud to sign.
To make a purchase, click on the ‘purchase print’ option on the image page in the galleries. You will then be directed to your shopping cart, where you can add the image and proceed to make your credit card payment securely through PayPal. Alternatively, you can contact Darren directly and have him tailor the process to your needs, whether that be a special request for an image size, a particular paper style, or you would like to speak with him to request another payment option, please don’t hesitate to do so as he is happy to assist where ever possible.
Prints are shipped worldwide with free postage within Australia. International shipping incurs a 40 AUD fee. Prints are carefully rolled in protective acid-free paper, then shipped in cardboard envelopes or postal tubes dependent upon size. Postage is also dependent upon weight and destination, email him for details.
Darren can also provide high quality image files for web, publication or advertising etc; please contact him for more details.
These examples show what can be achieved through getting to know your subject matter, which means getting to your location early, scouting around the area you intent to photograph and pre-visualizing what type of effect the water will have when conditions and tide flow change.
I arrived at this location a few hours before sunset, knowing that high tide will start coming in around sunset, l killed some time scouting around and looking for subject matter that had potential to create strong visual elements once hide tide was in.
Bearing in mind that this particular location was very flat in appearance (no huge rock stacks to play with) it was important to create dynamic foreground interest through water motion.
The example below attracted my eye with it’s strong lines and shapes, l had already pre-visualized the type of image and look l was after, than waited for the tide to come in.
Once you have the water motion, than start playing around with your shutter speeds to help emphasise subtle variations in motion. For this particular scene l wanted to achieve more of a streaky kind of motion, using speeds of around 1 to 2 seconds, whilst keeping the cascading water effect over the central rock.
If my shutter speed had been longer it would have created a more ‘milky look’. Move around the scene trying all sorts of different compositions, until you find the strongest dynamics and best visual impact within the frame. With hide tide coming in it’s important to step back and assess the dangers.
Quite often rogue waves can catch you of guard, causing lots of damage to your gear and making it a very dangerous situation for the photographer. In most cases the surface of the rocks will be slimy and very, very slippery, so if you have to back track in a hurry, always take care.
With the water cascading in and out of the giant pot holes, your bound to end up with sea spray continuously hitting you and your camera, be sure to carry a cotton t-shirt to wipe down your camera and filters, make your way to and from the area capturing images then going back to wipe your gear.
To capture this kind of seascape requires lots of water action and that means getting in close. l am often asked how l deal with looking after my gear shooting in these trying conditions, to which l answer ‘l don’t’. If you plan to be serious with your seascapes, your camera gear will suffer considerably, no matter how well you maintain it, if your gear is in good condition than your not getting the shots and your not close enough.