Feel free to check out my latest youtube video
Feel free to check out my latest youtube video
Another extreme adventure on the Great Ocean Road last weekend. A couple of nights over at Aireys Inlet. This particular evening was very special indeed with rainbows, sun glows and dreamy reflections on the glistening sand.
3 days of rain and cloudy skies, things were looking fairly bleak as far as photography goes, fortunately one of the evenings produced a little magic for me to work with. Throughout the day we had rain with the occasional sunny break, rainbows were prevalent and the clouds had a little bit of substance about them.
Whilst scouting around the local beach area in Aireys Inlet l stumbled upon a small rocky outcrop, the tide had been out at that time, therefore l was able to have a good look around and decided that l would do my evening photo shoot there.
At 4pm the tide was forecast to be relatively high, which meant that l would have some water motion in and around the rocky outcrop I intended to photograph. The rocky outcrop was somewhat cluttered, therefore my objective was to isolate one or two larger rocks and use them as foreground interest with the receding water creating lovely patterns around them (when using slower shutter speeds, it helps to create lovely streaks in the water patterns).
Generally, l slow my camera shutter speed down to 2 seconds or less. The tide was now on its way in, l wacked on my waterproof shoes and started shooting. The water rushed in and around my tripod and legs, at times the water level reached above my knees, l grasped onto my tripod and stood my ground, waiting for the water to recede before moving from my current spot.
Its vitally important to wait for the incoming water to recede as it may be quite high and the visibility around your feet is blurred with water, making it nearly impossible to make out small rocks which may cause you to trip or lose your footing.
There was a lovely golden glow emanating from the clouds above, reflecting lovely golden hues back onto the wet sandy beach, the colours were rich and vibrant and the glow was superb. A few drops of rain threatened to ruin the light parade but soon dissipated and another rainbow set the skies aglow.
Evenings like these are few and far between, I’m so happy to have been there as a witness to the beautiful spectacle. Please enjoy the images.
Lake Wanaka and the famous WanakaTree.
The lonesome Tree is situated in the Beautiful town of Wanaka, on the South Island of New Zealand. l have always said to my wife that if we had the opportunity to live in New Zealand than Wanaka would be the place that l would love to settle in.
The surroundings are just perfect, with mountainous views surrounding the lake and poplar trees that litter the shores and landscape with the most vibrant coloured autumn leaves, snow capped mountains to compliment the scenery, on the very clear and still mornings the lake has the most amazing reflections of colour and light.
The Town of Wanaka has great bars and restaurants to visit, including bakeries and lots of gift shops.
A must see when you visit New Zealand and the South Island.
Hi Friends and followers.
Please enjoy this short collection of seascape images from the Great Ocean Road.
Feel free to follow, like and subscribe to my youtube channel, thanks, Darren J
A couple more pics from my week camping in The Grampians National Park, Halls Gap, Victoria.
These particular images were captured over at Reids Lookout and the Balconies. The Balconies are only a short stroll from the carpark, 10-15 minutes each way, its an easy trek on a gravel sand path and some lovely views along the way.
The views are really spectacular, all year round.
A very unique perspective.
l am always on the lookout for something a little different from the Great Ocean Road. This location is amazing, off the beaten track and standing on a very narrow cliff face (shaking at the knees) whilst composing. The views are nothing more than awesome, with the wild ocean and strong breeze just about blew me over the edge. You really need to brace yourself whilst out at these locations and many times l ask myself ‘what the heck am l doing out here risking my life’ with so much corrosion and sections of the cliffs falling off, but here l am again living and loving what l do.
Salt Water in my Veins.
Last weekend turned out to be really good weather for photography. l drove out to Port Campbell on the Great Ocean Road, previously access to Gibsons Beach was closed off due to falling debris (eroding cliffs) and l was keen to get back there and shoot some seascapes and get my feet wet. As well as a visit to Gibsons Beach (sunset) l also decided to do a sunrise shoot at Loch And Gorge and The Razorback and sunrise turned out to be really nice indeed, lovely colour and cloud formation.
I have attached a couple of images from the weekends shoot.
These examples show what can be achieved through getting to know your subject matter, which means getting to your location early, scouting around the area you intent to photograph and pre-visualizing what type of effect the water will have when conditions and tide flow change.
I arrived at this location a few hours before sunset, knowing that high tide will start coming in around sunset, l killed some time scouting around and looking for subject matter that had potential to create strong visual elements once hide tide was in.
Bearing in mind that this particular location was very flat in appearance (no huge rock stacks to play with) it was important to create dynamic foreground interest through water motion.
The example below attracted my eye with it’s strong lines and shapes, l had already pre-visualized the type of image and look l was after, than waited for the tide to come in.
Once you have the water motion, than start playing around with your shutter speeds to help emphasise subtle variations in motion. For this particular scene l wanted to achieve more of a streaky kind of motion, using speeds of around 1 to 2 seconds, whilst keeping the cascading water effect over the central rock.
If my shutter speed had been longer it would have created a more ‘milky look’. Move around the scene trying all sorts of different compositions, until you find the strongest dynamics and best visual impact within the frame. With hide tide coming in it’s important to step back and assess the dangers.
Quite often rogue waves can catch you of guard, causing lots of damage to your gear and making it a very dangerous situation for the photographer. In most cases the surface of the rocks will be slimy and very, very slippery, so if you have to back track in a hurry, always take care.
With the water cascading in and out of the giant pot holes, your bound to end up with sea spray continuously hitting you and your camera, be sure to carry a cotton t-shirt to wipe down your camera and filters, make your way to and from the area capturing images then going back to wipe your gear.
To capture this kind of seascape requires lots of water action and that means getting in close. l am often asked how l deal with looking after my gear shooting in these trying conditions, to which l answer ‘l don’t’. If you plan to be serious with your seascapes, your camera gear will suffer considerably, no matter how well you maintain it, if your gear is in good condition than your not getting the shots and your not close enough.